ISRC
Il trovatore: Atto II, scena 1. “Vedi! le fosche notturne spoglie” (Anvil Chorus)
Song: Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari)
Last verified:
GBF075640009 is the International Standard Recording Code (ISRC) for the recording “Il trovatore: Atto II, scena 1. “Vedi! le fosche notturne spoglie” (Anvil Chorus)” by Maggio Musicale Fiorentino Chorus, Orchestra of the Grand Theatre, Geneva, Alberto Erede, released 1989-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
Credits Graph
Want songwriter and ownership data?
This recording is not yet in the Notes database. Notes-enhanced ISRCs include ownership data, songwriter credits, and publisher chains.
GBF075640009 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Il trovatore: Atto II, scena 1. “Vedi! le fosche notturne spoglie” (Anvil Chorus)” by Maggio Musicale Fiorentino Chorus, Orchestra of the Grand Theatre, Geneva, Alberto Erede. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
Learn more about ISRCs · Powered by Notes.fm
Jean Borthayre, Libero De Luca, Orchestre de la Société des Concerts du Conservatoire, Alberto Erede
GBF075310230Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede
GBF075940605Athos Cesarini, Renata Tebaldi, Mario del Monaco, Orchestre de la Suisse Romande, Alberto Erede
GBF075640026Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede
GBF075940603GBF075640009 is the International Standard Recording Code (ISRC) for the recording “Il trovatore: Atto II, scena 1. “Vedi! le fosche notturne spoglie” (Anvil Chorus)” by Maggio Musicale Fiorentino Chorus, Orchestra of the Grand Theatre, Geneva, Alberto Erede, released 1989-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.