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ISRC

GBF075740002

The Prince of the Pagodas, op. 57: Act 1. The Fool and the Dwarf

Song: The Prince of the Pagodas, op. 57: Act I

Orchestra of the Royal Opera HouseCovent GardenBenjamin Britten
Released 2006-01-01

Last verified:

GBF075740002 is the International Standard Recording Code (ISRC) for the recording "The Prince of the Pagodas, op. 57: Act 1. The Fool and the Dwarf" by Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten, released 2006-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
F07Registrant
57Year (1957)
40002Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1957):
Last two digits of the reference year (1957). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "The Prince of the Pagodas, op. 57: Act 1. The Fool and the Dwarf" by Orchestra of the Royal Opera House?
The ISRC for "The Prince of the Pagodas, op. 57: Act 1. The Fool and the Dwarf" by Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten is GBF075740002.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBF075740002?

GBF075740002 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "The Prince of the Pagodas, op. 57: Act 1. The Fool and the Dwarf" by Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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