ISRC
Das Rheingold: Scene Three: ''Nehmt euch in acht! Alberich naht.'' (Mime)
Song: Das Rheingold: Scene III
Last verified:
GBF075830120 is the International Standard Recording Code (ISRC) for the recording “Das Rheingold: Scene Three: ''Nehmt euch in acht! Alberich naht.'' (Mime)” by Paul Kuën, George London, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti, released 1984-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
GBF075830120 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Das Rheingold: Scene Three: ''Nehmt euch in acht! Alberich naht.'' (Mime)” by Paul Kuën, George London, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
Learn more about ISRCs · Powered by Notes.fm
Musical work link not available yet
This ISRC still identifies a valid recording; the available sources have not yet connected it to an ISWC for the underlying composition. Available release, performer, producer, and songwriter links remain visible below.
Credits Graph
Want songwriter and ownership data?
This recording is not yet in the Notes database. Notes-enhanced ISRCs include ownership data, songwriter credits, and publisher chains.
MLC has no work registered for this ISRC.
Performers
Label
Decca
Release
Bryn Terfel, London Philharmonic Orchestra, Sir Georg Solti
GBF079643436London Philharmonic Orchestra, Sir Georg Solti
GBF079643455GBF075830120 is the International Standard Recording Code (ISRC) for the recording “Das Rheingold: Scene Three: ''Nehmt euch in acht! Alberich naht.'' (Mime)” by Paul Kuën, George London, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti, released 1984-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.