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Aida: Atto III. “Qui Radamès verrà!” … “O patria mia” album cover

Aida: Atto III. “Qui Radamès verrà!” … “O patria mia”✓2

ISRC

GBF076135020

Song: Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida)

Leontyne PriceOrchestra del Teatro dell’Opera di RomaSir Georg Solti
matched
Released 1993-01-01

Last verified: October 4, 2026

The ISRC for “Aida: Atto III. “Qui Radamès verrà!” … “O patria mia”” by Leontyne Price is GBF076135020. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Released 1993-01-01. The underlying musical work is ISWC T9000653769.

Format

GBCountry
F07Registrant
61Year (1961)
35020Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1961):
Last two digits of the reference year (1961). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCAida: Atto III. “Qui Radamès verrà!” … “O patria mia”
ISWCAida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida)

Musical Work (ISWC)

T9000653769Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida)

People also ask

What is the ISRC for Aida: Atto III. “Qui Radamès verrà!” … “O patria mia” by Leontyne Price?+
The ISRC for Aida: Atto III. “Qui Radamès verrà!” … “O patria mia” by Leontyne Price is GBF076135020.
What is the ISWC for Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida)?+
The ISWC for Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) is T9000653769. This recording is titled Aida: Atto III. “Qui Radamès verrà!” … “O patria mia”. The ISRC GBF076135020 identifies this specific recording; the ISWC identifies the underlying musical work shared by all versions.
What is an ISRC and what does it tell you?+
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.
Is the ISRC the same as the ISWC?+
No. The ISRC identifies a specific recording, while the ISWC identifies the underlying musical composition. GBF076135020 is the ISRC for this recording; T9000653769 is the ISWC for the composition it is a recording of. One composition (ISWC) can have many recordings (ISRCs) — originals, remixes, live versions, and covers each get their own ISRC but share the same ISWC.

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What is ISRC GBF076135020?

GBF076135020 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Aida: Atto III. “Qui Radamès verrà!” … “O patria mia”” by Leontyne Price, Orchestra del Teatro dell’Opera di Roma, Sir Georg Solti. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

This recording is linked to the musical work T9000653769, which represents the underlying composition. Multiple recordings can share the same musical work — for example, an original version, a remix, and a cover would each have their own ISRC but reference the same ISWC.

Learn more about ISRCs · Powered by Notes.fm

Credits Graph

MLC Song Code

O44882
Verify on MLC Portal →
SourcesMusicBrainzMLC✓2 sources

Verified on

  • MusicBrainz recording record
  • MLC song record
Leontyne PriceOrchestra del Teatro dell’Opera di RomaSir Georg Solti

The ISRC for “Aida: Atto III. “Qui Radamès verrà!” … “O patria mia”” by Leontyne Price is GBF076135020. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Released 1993-01-01. The underlying musical work is ISWC T9000653769.

Leontyne Price, Orchestra del Teatro dell’Opera di Roma, Sir Georg Solti

Related

Other versions of this workView all on iswc.fm

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