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Piano Quintet in A major, op. 81: II. Dumka: Andante con moto album cover

ISRC

GBF076210262

Piano Quintet in A major, op. 81: II. Dumka: Andante con moto2

Song: II. ANDANTE CON MOTO

Clifford CurzonVienna Philharmonic Quartet
unmatchedNot yet matched in the MLC database
Released 1988-01-01

Last verified:

GBF076210262 is the International Standard Recording Code (ISRC) for the recording "Piano Quintet in A major, op. 81: II. Dumka: Andante con moto" by Clifford Curzon, Vienna Philharmonic Quartet, released 1988-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
F07Registrant
62Year (1962)
10262Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1962):
Last two digits of the reference year (1962). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

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People also ask

What is the ISRC for "Piano Quintet in A major, op. 81: II. Dumka: Andante con moto" by Clifford Curzon?
The ISRC for "Piano Quintet in A major, op. 81: II. Dumka: Andante con moto" by Clifford Curzon, Vienna Philharmonic Quartet is GBF076210262.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBF076210262?

GBF076210262 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Piano Quintet in A major, op. 81: II. Dumka: Andante con moto" by Clifford Curzon, Vienna Philharmonic Quartet. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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