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Divertimento No. 12 in E-flat major, K. 240a/252: IV. Presto assai album cover

ISRC

GBF076210784

Divertimento No. 12 in E-flat major, K. 240a/252: IV. Presto assai

Song: Divertimento no. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252: IV. Presto assai

London Wind SoloistsJack Brymer
Released 1991-01-01

Last verified:

GBF076210784 is the International Standard Recording Code (ISRC) for the recording "Divertimento No. 12 in E-flat major, K. 240a/252: IV. Presto assai" by London Wind Soloists, Jack Brymer, released 1991-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
F07Registrant
62Year (1962)
10784Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1962):
Last two digits of the reference year (1962). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Divertimento No. 12 in E-flat major, K. 240a/252: IV. Presto assai" by London Wind Soloists?
The ISRC for "Divertimento No. 12 in E-flat major, K. 240a/252: IV. Presto assai" by London Wind Soloists, Jack Brymer is GBF076210784.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBF076210784?

GBF076210784 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Divertimento No. 12 in E-flat major, K. 240a/252: IV. Presto assai" by London Wind Soloists, Jack Brymer. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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