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A Kékszakállú herceg vára: Door 5 "Ah! Lásdez az én birodalmam" album cover

ISRC

GBF076510116

A Kékszakállú herceg vára: Door 5 "Ah! Lásdez az én birodalmam"

Christa LudwigWalter BerryLondon Symphony OrchestraIstván Kertész
Released 1965-01-01

Last verified:

GBF076510116 is the International Standard Recording Code (ISRC) for the recording "A Kékszakállú herceg vára: Door 5 "Ah! Lásdez az én birodalmam"" by Christa Ludwig, Walter Berry, London Symphony Orchestra, István Kertész, released 1965-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
F07Registrant
65Year (1965)
10116Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1965):
Last two digits of the reference year (1965). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "A Kékszakállú herceg vára: Door 5 "Ah! Lásdez az én birodalmam"" by Christa Ludwig?
The ISRC for "A Kékszakállú herceg vára: Door 5 "Ah! Lásdez az én birodalmam"" by Christa Ludwig, Walter Berry, London Symphony Orchestra, István Kertész is GBF076510116.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBF076510116?

GBF076510116 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "A Kékszakállú herceg vára: Door 5 "Ah! Lásdez az én birodalmam"" by Christa Ludwig, Walter Berry, London Symphony Orchestra, István Kertész. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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