To Make a Big Man Cry album cover

ISRC

GBF076621030

To Make a Big Man Cry2

Song: TO MAKE A BIG MAN CRY

Tom Jones
unmatchedNot yet matched in the MLC database
Released 1966-01-01

Last verified:

GBF076621030 is the International Standard Recording Code (ISRC) for the recording "To Make a Big Man Cry" by Tom Jones, released 1966-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
F07Registrant
66Year (1966)
21030Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1966):
Last two digits of the reference year (1966). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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MLC Song Code

SourcesMusicBrainzMLC2 sources

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People also ask

What is the ISRC for "To Make a Big Man Cry" by Tom Jones?
The ISRC for "To Make a Big Man Cry" by Tom Jones is GBF076621030.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBF076621030?

GBF076621030 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "To Make a Big Man Cry" by Tom Jones. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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