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Messa da requiem: Dies Irae: Confutatis album cover

ISRC

GBF076741609

Messa da requiem: Dies Irae: Confutatis2

Song: MESSA DA REQUIEM CRITICAL

Chor der Wiener StaatsoperMartti TalvelaWiener PhilharmonikerSir Georg Solti
unmatchedNot yet matched in the MLC database
Released 1984-01-01

Last verified:

GBF076741609 is the International Standard Recording Code (ISRC) for the recording "Messa da requiem: Dies Irae: Confutatis" by Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti, released 1984-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
F07Registrant
67Year (1967)
41609Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1967):
Last two digits of the reference year (1967). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Messa da requiem: Dies Irae: Confutatis" by Chor der Wiener Staatsoper?
The ISRC for "Messa da requiem: Dies Irae: Confutatis" by Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti is GBF076741609.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBF076741609?

GBF076741609 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Messa da requiem: Dies Irae: Confutatis" by Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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