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ISRC

GBF076911690

Der Rosenkavalier: „Hab' mir's gelobt”

Song: Der Rosenkavalier, op. 59: Akt III. “Marie Theres’!” … “Hab’ mir’s gelobt” (Octavian, Marschallin, Sophie, Faninal)

Régine CrespinHelen DonathYvonne MintonVienna State Opera OrchestraSir Georg Solti
Released 1994-01-01

Last verified:

GBF076911690 is the International Standard Recording Code (ISRC) for the recording "Der Rosenkavalier: „Hab' mir's gelobt”" by Régine Crespin, Helen Donath, Yvonne Minton, Vienna State Opera Orchestra, Sir Georg Solti, released 1994-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
F07Registrant
69Year (1969)
11690Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1969):
Last two digits of the reference year (1969). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Der Rosenkavalier: „Hab' mir's gelobt”" by Régine Crespin?
The ISRC for "Der Rosenkavalier: „Hab' mir's gelobt”" by Régine Crespin, Helen Donath, Yvonne Minton, Vienna State Opera Orchestra, Sir Georg Solti is GBF076911690.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBF076911690?

GBF076911690 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Der Rosenkavalier: „Hab' mir's gelobt”" by Régine Crespin, Helen Donath, Yvonne Minton, Vienna State Opera Orchestra, Sir Georg Solti. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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