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Turandot: “Nessun dorma” album cover

ISRC

GBF077230201

Turandot: “Nessun dorma”2

Song: Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)

Luciano PavarottiThe John Alldis ChoirWandsworth School Boys ChoirLondon Philharmonic OrchestraZubin Mehta
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Released 1986-01-01

Last verified:

GBF077230201 is the International Standard Recording Code (ISRC) for the recording "Turandot: “Nessun dorma”" by Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta, released 1986-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T-005000838-2.

Format

GBCountry
F07Registrant
72Year (1972)
30201Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1972):
Last two digits of the reference year (1972). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCTurandot: “Nessun dorma”
ISWCTurandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)

Musical Work (ISWC)

T-005000838-2Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)

MLC Song Code

P8063H
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SourcesMusicBrainzMLCNotes3 sources

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Related

Other versions of this workView all on iswc.fm

Turandot: Atto I. “Ah! Per l’ultima volta”

Montserrat Caballé, Nicolaï Ghiaurov, The John Alldis Choir, Tom Krause, Piero de Palma, Luciano Pavarotti, Pier Francesco Poli, London Philharmonic Orchestra, Zubin Mehta

GBF077230811

Nessun dorma

Paul Potts, London Symphony Orchestra, David Snell

GBHMU0700029

Turandot. "Nessun dorma" (Calaf)

Konzertvereinigung Wiener Staatsopernchor, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan

DEF058140110

Turandot: Atto I. “Non piangere, Liù!” – “Ah! Per l’ultima volta!”

Montserrat Caballé, Nicolaï Ghiaurov, The John Alldis Choir, Tom Krause, Piero de Palma, Luciano Pavarotti, Pier Francesco Poli, London Philharmonic Orchestra, Zubin Mehta

GBF077230810

Turandot: Atto II, scena 2. “In questa reggia”

The John Alldis Choir, Luciano Pavarotti, Joan Sutherland, London Philharmonic Orchestra, Zubin Mehta

GBF077230820

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People also ask

What is the ISRC for "Turandot: “Nessun dorma”" by Luciano Pavarotti?
The ISRC for "Turandot: “Nessun dorma”" by Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta is GBF077230201.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.
Is the ISRC the same as the ISWC?
No. The ISRC identifies a specific recording, while the ISWC identifies the underlying musical composition. GBF077230201 is the ISRC for this recording; T-005000838-2 is the ISWC for the composition it is a recording of. One composition (ISWC) can have many recordings (ISRCs) — originals, remixes, live versions, and covers each get their own ISRC but share the same ISWC.

What is ISRC GBF077230201?

GBF077230201 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Turandot: “Nessun dorma”" by Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

This recording is linked to the musical work T-005000838-2, which represents the underlying composition. Multiple recordings can share the same musical work — for example, an original version, a remix, and a cover would each have their own ISRC but reference the same ISWC.

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