ISRC
GBF077441015
Death in Venice: Act 1, Scene 7. "First the race!" (Chorus)2
Song: THE FIRST SUGGESTION ON MY LIST (FROM ALBERT HERRING, OP. 39 - ORIGINAL VERSION)
Last verified:
GBF077441015 is the International Standard Recording Code (ISRC) for the recording "Death in Venice: Act 1, Scene 7. "First the race!" (Chorus)" by Neville Williams, James Bowman, Anne Wilkens, Iris Saunders, Janice Hooper Roe, Robert Carpenter Turner, Stephen James Adams, Peter Leeming, Penelope McKay, Sheila Brand, Anna Vincent, Michael Follis, Angela Vernon Bates, English Chamber Orchestra, Steuart Bedford, released 1990-02-07. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
Format
- Country:
- ISO 3166-1 alpha-2 country code (GB).
- Registrant:
- 3-character code identifying the label or distributor that assigned this ISRC.
- Year (1974):
- Last two digits of the reference year (1974). Years < 50 are 21st century.
- Designation:
- Unique 5-digit code assigned by the registrant for this specific recording.
Unmatched Recording
This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.
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MLC Song Code
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People also ask
What is ISRC GBF077441015?
GBF077441015 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Death in Venice: Act 1, Scene 7. "First the race!" (Chorus)" by Neville Williams, James Bowman, Anne Wilkens, Iris Saunders, Janice Hooper Roe, Robert Carpenter Turner, Stephen James Adams, Peter Leeming, Penelope McKay, Sheila Brand, Anna Vincent, Michael Follis, Angela Vernon Bates, English Chamber Orchestra, Steuart Bedford. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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