ISRC
GBF077511870
Carmen : Acte II. « Votre toast, je peux vous le rendre »2
Song: Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes)
Last verified:
GBF077511870 is the International Standard Recording Code (ISRC) for the recording “Carmen : Acte II. « Votre toast, je peux vous le rendre »” by Sir Thomas Allen, Jane Berbié, Norma Burrowes, The John Alldis Choir, Pierre Thau, Tatiana Troyanos, José van Dam, London Philharmonic Orchestra, Sir Georg Solti, released 1998-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T0101948542.
Format
- Country:
- ISO 3166-1 alpha-2 country code (GB).
- Registrant:
- 3-character code identifying the label or distributor that assigned this ISRC.
- Year (1975):
- Last two digits of the reference year (1975). Years < 50 are 21st century.
- Designation:
- Unique 5-digit code assigned by the registrant for this specific recording.
Credit Chain
Musical Work (ISWC)
T0101948542Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes)People also ask
What is ISRC GBF077511870?
GBF077511870 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Carmen : Acte II. « Votre toast, je peux vous le rendre »” by Sir Thomas Allen, Jane Berbié, Norma Burrowes, The John Alldis Choir, Pierre Thau, Tatiana Troyanos, José van Dam, London Philharmonic Orchestra, Sir Georg Solti. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
This recording is linked to the musical work T0101948542, which represents the underlying composition. Multiple recordings can share the same musical work — for example, an original version, a remix, and a cover would each have their own ISRC but reference the same ISWC.
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