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ISRC

GBF078411382

Così fan tutte: ‘Soave sia il vento’

Song: Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso)

Carlos FellerAlicia NaféRachel YakarOrchestra of the Drottingholm Court TheatreArnold Östman
Released 1992-01-01

Last verified:

GBF078411382 is the International Standard Recording Code (ISRC) for the recording “Così fan tutte: ‘Soave sia il vento’” by Carlos Feller, Alicia Nafé, Rachel Yakar, Orchestra of the Drottingholm Court Theatre, Arnold Östman, released 1992-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
F07Registrant
84Year (1984)
11382Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1984):
Last two digits of the reference year (1984). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Così fan tutte: ‘Soave sia il vento’" by Carlos Feller?
The ISRC for "Così fan tutte: ‘Soave sia il vento’" by Carlos Feller, Alicia Nafé, Rachel Yakar, Orchestra of the Drottingholm Court Theatre, Arnold Östman is GBF078411382.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBF078411382?

GBF078411382 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Così fan tutte: ‘Soave sia il vento’” by Carlos Feller, Alicia Nafé, Rachel Yakar, Orchestra of the Drottingholm Court Theatre, Arnold Östman. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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