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ISRC

GBF078430513

Organ concerto no. 13 "The Cuckoo and the Nightingale": V. Allegro

Song: Organ Concerto no. 13 in F major, HWV 295 “The Cuckoo and the Nightingale”: IV. Allegro

Martin HaselböckStuttgarter KammerorchesterKarl Münchinger
Released 1985-01-01

Last verified:

GBF078430513 is the International Standard Recording Code (ISRC) for the recording “Organ concerto no. 13 "The Cuckoo and the Nightingale": V. Allegro” by Martin Haselböck, Stuttgarter Kammerorchester, Karl Münchinger, released 1985-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
F07Registrant
84Year (1984)
30513Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1984):
Last two digits of the reference year (1984). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Organ concerto no. 13 "The Cuckoo and the Nightingale": V. Allegro" by Martin Haselböck?
The ISRC for "Organ concerto no. 13 "The Cuckoo and the Nightingale": V. Allegro" by Martin Haselböck, Stuttgarter Kammerorchester, Karl Münchinger is GBF078430513.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBF078430513?

GBF078430513 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Organ concerto no. 13 "The Cuckoo and the Nightingale": V. Allegro” by Martin Haselböck, Stuttgarter Kammerorchester, Karl Münchinger. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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