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Symphony No. 3 in D minor: II. Adagio, bewegt, quasi Andante album cover

ISRC

GBF078510082

Symphony No. 3 in D minor: II. Adagio, bewegt, quasi Andante

Song: Symphony no. 3 in D minor, WAB 103: II. Adagio, bewegt, quasi andante

Deutsches Symphonie-Orchester BerlinRiccardo Chailly
Released 2003-11-09

Last verified:

GBF078510082 is the International Standard Recording Code (ISRC) for the recording “Symphony No. 3 in D minor: II. Adagio, bewegt, quasi Andante” by Deutsches Symphonie-Orchester Berlin, Riccardo Chailly, released 2003-11-09. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
F07Registrant
85Year (1985)
10082Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1985):
Last two digits of the reference year (1985). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Symphony No. 3 in D minor: II. Adagio, bewegt, quasi Andante" by Deutsches Symphonie-Orchester Berlin?
The ISRC for "Symphony No. 3 in D minor: II. Adagio, bewegt, quasi Andante" by Deutsches Symphonie-Orchester Berlin, Riccardo Chailly is GBF078510082.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBF078510082?

GBF078510082 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Symphony No. 3 in D minor: II. Adagio, bewegt, quasi Andante” by Deutsches Symphonie-Orchester Berlin, Riccardo Chailly. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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