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Olim sudor Herculis (CB 63) album cover

ISRC

GBF078640607

Olim sudor Herculis (CB 63)

Song: Olim sudor Herculis

Tessa BonnerCatherine BottSally DunkleyMichael GeorgeSimon GrantPhilip PickettNew London Consort
Released 1987-01-01

Last verified:

GBF078640607 is the International Standard Recording Code (ISRC) for the recording "Olim sudor Herculis (CB 63)" by Tessa Bonner, Catherine Bott, Sally Dunkley, Michael George, Simon Grant, Philip Pickett, New London Consort, released 1987-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
F07Registrant
86Year (1986)
40607Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1986):
Last two digits of the reference year (1986). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Olim sudor Herculis (CB 63)" by Tessa Bonner?
The ISRC for "Olim sudor Herculis (CB 63)" by Tessa Bonner, Catherine Bott, Sally Dunkley, Michael George, Simon Grant, Philip Pickett, New London Consort is GBF078640607.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBF078640607?

GBF078640607 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Olim sudor Herculis (CB 63)" by Tessa Bonner, Catherine Bott, Sally Dunkley, Michael George, Simon Grant, Philip Pickett, New London Consort. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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