ISRC
Concerto "per l'orchestra di Dresda", F. XII no. 3: III. Allegro2
Song: SYMPHONY NO.2 IN E MINOR, OP. 27 INCLUDES: 1. LARGO--ALLEGRO MODERATO (18:58) 2. ALLEGRO MOLTO (10:07) 3. ADAGIO (15:35)
Last verified:
GBF079010573 is the International Standard Recording Code (ISRC) for the recording “Concerto "per l'orchestra di Dresda", F. XII no. 3: III. Allegro” by Franco Gulli, I Filarmonica del Teatro Comunale di Bologna, Riccardo Chailly, released 1992-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
GBF079010573 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Concerto "per l'orchestra di Dresda", F. XII no. 3: III. Allegro” by Franco Gulli, I Filarmonica del Teatro Comunale di Bologna, Riccardo Chailly. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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This ISRC still identifies a valid recording; the available sources have not yet connected it to an ISWC for the underlying composition. Available release, performer, producer, and songwriter links remain visible below.
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MLC Song Code
MLC has no work registered for this ISRC.
Performers
Production
Label
Decca
Appears on
Gewandhausorchester Leipzig, Riccardo Chailly
GBBBA0901212Susan Dunn, Margarita Zimmermann, Bruno Beccaria, Tom Krause, Ernst Senff Chamber Choir, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Riccardo Chailly
GBF078611021Gewandhausorchester Leipzig, Riccardo Chailly
GBBBA0901274Gewandhausorchester Leipzig, Riccardo Chailly
GBBBA0801783GBF079010573 is the International Standard Recording Code (ISRC) for the recording “Concerto "per l'orchestra di Dresda", F. XII no. 3: III. Allegro” by Franco Gulli, I Filarmonica del Teatro Comunale di Bologna, Riccardo Chailly, released 1992-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
