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ISRC

GBF079141212

Old American Songs: I Bought Me a Cat

Song: Old American Songs, Set 1: No. 5. I Bought Me a Cat

Jerold OttleyThe Mormon Tabernacle ChoirFrederica von StadeUtah Symphony OrchestraJoseph Silverstein
Released 1992-01-01

Last verified:

GBF079141212 is the International Standard Recording Code (ISRC) for the recording “Old American Songs: I Bought Me a Cat” by Jerold Ottley, The Mormon Tabernacle Choir, Frederica von Stade, Utah Symphony Orchestra, Joseph Silverstein, released 1992-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
F07Registrant
91Year (1991)
41212Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1991):
Last two digits of the reference year (1991). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Old American Songs: I Bought Me a Cat" by Jerold Ottley?
The ISRC for "Old American Songs: I Bought Me a Cat" by Jerold Ottley, The Mormon Tabernacle Choir, Frederica von Stade, Utah Symphony Orchestra, Joseph Silverstein is GBF079141212.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBF079141212?

GBF079141212 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Old American Songs: I Bought Me a Cat” by Jerold Ottley, The Mormon Tabernacle Choir, Frederica von Stade, Utah Symphony Orchestra, Joseph Silverstein. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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