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L’Orfeo: Prologue. Ritornello “Dal mio Permesso amato” (La Musica) album cover

ISRC

GBF079142402

L’Orfeo: Prologue. Ritornello “Dal mio Permesso amato” (La Musica)

Song: L’Orfeo: Prologo, Dal mio Permesso (La Musica)

Catherine BottNew London ConsortPhilip Pickett

Last verified:

GBF079142402 is the International Standard Recording Code (ISRC) for the recording "L’Orfeo: Prologue. Ritornello “Dal mio Permesso amato” (La Musica)" by Catherine Bott, New London Consort, Philip Pickett. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
F07Registrant
91Year (1991)
42402Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1991):
Last two digits of the reference year (1991). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "L’Orfeo: Prologue. Ritornello “Dal mio Permesso amato” (La Musica)" by Catherine Bott?
The ISRC for "L’Orfeo: Prologue. Ritornello “Dal mio Permesso amato” (La Musica)" by Catherine Bott, New London Consort, Philip Pickett is GBF079142402.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBF079142402?

GBF079142402 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "L’Orfeo: Prologue. Ritornello “Dal mio Permesso amato” (La Musica)" by Catherine Bott, New London Consort, Philip Pickett. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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