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The Bells, op. 35: II. Lento album cover

ISRC

GBF079211452

The Bells, op. 35: II. Lento

Sean DeiblerChoral Arts Society of PhiladelphiaAlexandrina PendatchanskaThe Philadelphia OrchestraCharles Dutoit
Released 1994-07-01

Last verified:

GBF079211452 is the International Standard Recording Code (ISRC) for the recording "The Bells, op. 35: II. Lento" by Sean Deibler, Choral Arts Society of Philadelphia, Alexandrina Pendatchanska, The Philadelphia Orchestra, Charles Dutoit, released 1994-07-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
F07Registrant
92Year (1992)
11452Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1992):
Last two digits of the reference year (1992). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "The Bells, op. 35: II. Lento" by Sean Deibler?
The ISRC for "The Bells, op. 35: II. Lento" by Sean Deibler, Choral Arts Society of Philadelphia, Alexandrina Pendatchanska, The Philadelphia Orchestra, Charles Dutoit is GBF079211452.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBF079211452?

GBF079211452 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "The Bells, op. 35: II. Lento" by Sean Deibler, Choral Arts Society of Philadelphia, Alexandrina Pendatchanska, The Philadelphia Orchestra, Charles Dutoit. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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