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ISRC

GBF079511353

Harpsichord Concerto in F major, BWV 1057: III. Allegro assai

Song: Keyboard Concerto no. 6 in F major, BWV 1057: III. Allegro assai

Christophe RoussetAcademy of Ancient MusicChristopher Hogwood
Released 1998-01-01

Last verified:

GBF079511353 is the International Standard Recording Code (ISRC) for the recording “Harpsichord Concerto in F major, BWV 1057: III. Allegro assai” by Christophe Rousset, Academy of Ancient Music, Christopher Hogwood, released 1998-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
F07Registrant
95Year (1995)
11353Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1995):
Last two digits of the reference year (1995). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Harpsichord Concerto in F major, BWV 1057: III. Allegro assai" by Christophe Rousset?
The ISRC for "Harpsichord Concerto in F major, BWV 1057: III. Allegro assai" by Christophe Rousset, Academy of Ancient Music, Christopher Hogwood is GBF079511353.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBF079511353?

GBF079511353 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Harpsichord Concerto in F major, BWV 1057: III. Allegro assai” by Christophe Rousset, Academy of Ancient Music, Christopher Hogwood. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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