Also sprach Zarathustra, op. 30: VIII. Das Tanzlied - Das Nachtlied album cover

ISRC

GBF079641908

Also sprach Zarathustra, op. 30: VIII. Das Tanzlied - Das Nachtlied

Song: Also sprach Zarathustra, op. 30: VIII. Das Tanzlied

Berliner PhilharmonikerSir Georg Solti
Released 1997-02-11

Last verified:

GBF079641908 is the International Standard Recording Code (ISRC) for the recording "Also sprach Zarathustra, op. 30: VIII. Das Tanzlied - Das Nachtlied" by Berliner Philharmoniker, Sir Georg Solti, released 1997-02-11. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
F07Registrant
96Year (1996)
41908Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1996):
Last two digits of the reference year (1996). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Also sprach Zarathustra, op. 30: VIII. Das Tanzlied - Das Nachtlied" by Berliner Philharmoniker?
The ISRC for "Also sprach Zarathustra, op. 30: VIII. Das Tanzlied - Das Nachtlied" by Berliner Philharmoniker, Sir Georg Solti is GBF079641908.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBF079641908?

GBF079641908 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Also sprach Zarathustra, op. 30: VIII. Das Tanzlied - Das Nachtlied" by Berliner Philharmoniker, Sir Georg Solti. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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