ISRC
Giulio Cesare in Egitto, HWV 17: Aure, deh, per pietà spirate
Song: Giulio Cesare in Egitto, HWV 17: Atto III, Scena IV. Aria “Aure, deh, per pietà” (Cesare)
Last verified:
GBF079814280 is the International Standard Recording Code (ISRC) for the recording “Giulio Cesare in Egitto, HWV 17: Aure, deh, per pietà spirate” by Andreas Scholl, Orchestra of the Age of Enlightenment, Sir Roger Norrington, released 1999-03-05. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
Credits Graph
Want songwriter and ownership data?
This recording is not yet in the Notes database. Notes-enhanced ISRCs include ownership data, songwriter credits, and publisher chains.
GBF079814280 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Giulio Cesare in Egitto, HWV 17: Aure, deh, per pietà spirate” by Andreas Scholl, Orchestra of the Age of Enlightenment, Sir Roger Norrington. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
Learn more about ISRCs · Powered by Notes.fm
Andreas Scholl, Australian Brandenburg Orchestra, Paul Dyer
AUAB00050202Nancy Argenta, The Schütz Choir of London, The London Classical Players, Sir Roger Norrington
GBAYC9100908Steven Isserlis, Chamber Orchestra of Europe, Sir Roger Norrington
USBC19600046Radio-Sinfonieorchester Stuttgart des SWR, Sir Roger Norrington
DEA550205635Radio-Sinfonieorchester Stuttgart des SWR, Sir Roger Norrington
DEA550205637Radio-Sinfonieorchester Stuttgart des SWR, Sir Roger Norrington
DEA550205638GBF079814280 is the International Standard Recording Code (ISRC) for the recording “Giulio Cesare in Egitto, HWV 17: Aure, deh, per pietà spirate” by Andreas Scholl, Orchestra of the Age of Enlightenment, Sir Roger Norrington, released 1999-03-05. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
