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Salve Regina in A minor: III. Eja ergo, advocata nostra album cover

ISRC

GBF079910163

Salve Regina in A minor: III. Eja ergo, advocata nostra

Song: Salve Regina in A minor: IV. Eia ergo, advocata nostra

Barbara BonneyChristophe RoussetLes Talens Lyriques
Released 1999-01-01

Last verified:

GBF079910163 is the International Standard Recording Code (ISRC) for the recording "Salve Regina in A minor: III. Eja ergo, advocata nostra" by Barbara Bonney, Christophe Rousset, Les Talens Lyriques, released 1999-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
F07Registrant
99Year (1999)
10163Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1999):
Last two digits of the reference year (1999). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Salve Regina in A minor: III. Eja ergo, advocata nostra" by Barbara Bonney?
The ISRC for "Salve Regina in A minor: III. Eja ergo, advocata nostra" by Barbara Bonney, Christophe Rousset, Les Talens Lyriques is GBF079910163.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBF079910163?

GBF079910163 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Salve Regina in A minor: III. Eja ergo, advocata nostra" by Barbara Bonney, Christophe Rousset, Les Talens Lyriques. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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