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ISRC

GBFO77240109

La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)

Song: La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì)

Mirella FreniLuciano PavarottiBerliner PhilharmonikerHerbert von Karajan
Released 1988-01-01

Last verified:

GBFO77240109 is the International Standard Recording Code (ISRC) for the recording "La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)" by Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan, released 1988-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
FO7Registrant
72Year (1972)
40109Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1972):
Last two digits of the reference year (1972). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)" by Mirella Freni?
The ISRC for "La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)" by Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan is GBFO77240109.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBFO77240109?

GBFO77240109 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)" by Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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