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ISRC

GBFO77900050

Fedora: Act II. “Amor ti vieta” (Loris)

Song: Fedora: Atto II. “Amor ti vieta” (Loris, Borov, Fedora, Olga)

Luciano PavarottiNational Philharmonic OrchestraOliviero de FabritiisNicola Rescigno
Released 1982-01-01

Last verified:

GBFO77900050 is the International Standard Recording Code (ISRC) for the recording "Fedora: Act II. “Amor ti vieta” (Loris)" by Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis, Nicola Rescigno, released 1982-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
FO7Registrant
79Year (1979)
00050Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1979):
Last two digits of the reference year (1979). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Fedora: Act II. “Amor ti vieta” (Loris)" by Luciano Pavarotti?
The ISRC for "Fedora: Act II. “Amor ti vieta” (Loris)" by Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis, Nicola Rescigno is GBFO77900050.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBFO77900050?

GBFO77900050 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Fedora: Act II. “Amor ti vieta” (Loris)" by Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis, Nicola Rescigno. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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