Now That You’re Alive album cover

ISRC

GBFUA0300006

Now That You’re Alive2

Song: NOW THAT YOU'RE ALIVE

Steve Winwood
unmatchedNot yet matched in the MLC database
Released 2003-01-01

Last verified:

GBFUA0300006 is the International Standard Recording Code (ISRC) for the recording “Now That You’re Alive by Steve Winwood, released 2003-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
FUARegistrant
03Year (2003)
00006Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2003):
Last two digits of the reference year (2003). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Musical work link not available yet

This ISRC still identifies a valid recording; the available sources have not yet connected it to an ISWC for the underlying composition. Available release, performer, producer, and songwriter links remain visible below.

Who wrote this song?

S. WINWOODComposer
E. WINWOODComposer

MLC Song Code

SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "Now That You’re Alive" by Steve Winwood?
The ISRC for "Now That You’re Alive" by Steve Winwood is GBFUA0300006.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBFUA0300006?

GBFUA0300006 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Now That You’re Alive by Steve Winwood. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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