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ISRC

GBG7W1470199

MAKE IT MINE (KARAOKE VERSION) [ORIGINALLY PERFORMED BY JASON MRAZ]

Song: TRAVELER

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GBG7W1470199 is the International Standard Recording Code (ISRC) for the recording "MAKE IT MINE (KARAOKE VERSION) [ORIGINALLY PERFORMED BY JASON MRAZ]". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JASON THOMAS MRAZ.

Format

GBCountry
G7WRegistrant
14Year (2014)
70199Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCMAKE IT MINE (KARAOKE VERSION) [ORIGINALLY PERFORMED BY JASON MRAZ]
IPIJASON THOMAS MRAZ

Related

Songwriter profiles

JASON THOMAS MRAZIPI

People also ask

What is the ISRC for "MAKE IT MINE (KARAOKE VERSION) [ORIGINALLY PERFORMED BY JASON MRAZ]"?
The ISRC for "MAKE IT MINE (KARAOKE VERSION) [ORIGINALLY PERFORMED BY JASON MRAZ]" is GBG7W1470199.
Who wrote "MAKE IT MINE (KARAOKE VERSION) [ORIGINALLY PERFORMED BY JASON MRAZ]"?
"MAKE IT MINE (KARAOKE VERSION) [ORIGINALLY PERFORMED BY JASON MRAZ]" was written by JASON THOMAS MRAZ.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBG7W1470199?

GBG7W1470199 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "MAKE IT MINE (KARAOKE VERSION) [ORIGINALLY PERFORMED BY JASON MRAZ]". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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