Count to Ten album cover

ISRC

GBGLR1900075

Count to Ten2

Song: COUNT TO 10

The Shadracks
matched
Released 2019-06-21

Last verified:

GBGLR1900075 is the International Standard Recording Code (ISRC) for the recording “Count to Ten by The Shadracks, released 2019-06-21. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by HUDDIE HAMPER.

Format

GBCountry
GLRRegistrant
19Year (2019)
00075Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

HUDDIE HAMPERComposerLyricist
ANOTHER MUSIC OriginalPublisherIPI: 00004034445
DAVID PLATZ MUSIC (USA) INC. OriginalPublisherIPI: 00806821737

Who publishes this song?

ANOTHER MUSICOriginalPublisher
IPI: 00004034445
DAVID PLATZ MUSIC (USA) INC.OriginalPublisher
IPI: 00806821737

Credits Graph

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Count to Ten" by The Shadracks?
The ISRC for "Count to Ten" by The Shadracks is GBGLR1900075.
Who wrote "Count to Ten"?
"Count to Ten" was written by HUDDIE HAMPER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBGLR1900075?

GBGLR1900075 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Count to Ten by The Shadracks. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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