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FEEL THE VIBE (FEAT. FRANCESCO DINOIA) album cover

ISRC

GBHAD1901726

FEEL THE VIBE (FEAT. FRANCESCO DINOIA)

Song: FEEL THE VIBE

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GBHAD1901726 is the International Standard Recording Code (ISRC) for the recording “FEEL THE VIBE (FEAT. FRANCESCO DINOIA)”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by SERGIO PORTALURI, CARSTEN KOWATSCH, FULVIO ZAFRET, and others.

Format

GBCountry
HADRegistrant
19Year (2019)
01726Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCFEEL THE VIBE (FEAT. FRANCESCO DINOIA)
IPISERGIO PORTALURI

Related

Songwriter profiles

SERGIO PORTALURIIPICARSTEN KOWATSCHIPIFULVIO ZAFRETIPIDAVID SIONIPIAASIM BAMBAATAAIPI

People also ask

What is the ISRC for "FEEL THE VIBE (FEAT. FRANCESCO DINOIA)"?
The ISRC for "FEEL THE VIBE (FEAT. FRANCESCO DINOIA)" is GBHAD1901726.
Who wrote "FEEL THE VIBE (FEAT. FRANCESCO DINOIA)"?
"FEEL THE VIBE (FEAT. FRANCESCO DINOIA)" was written by SERGIO PORTALURI, CARSTEN KOWATSCH, FULVIO ZAFRET, DAVID SION, AASIM BAMBAATAA, NEAL ANTHONY DYER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBHAD1901726?

GBHAD1901726 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “FEEL THE VIBE (FEAT. FRANCESCO DINOIA)”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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