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TRASH TALK album cover

ISRC

GBHAD1901807

TRASH TALK

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GBHAD1901807 is the International Standard Recording Code (ISRC) for the recording "TRASH TALK". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JACKY MAUGHAN, RICCARDO AMATUCCI.

Format

GBCountry
HADRegistrant
19Year (2019)
01807Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

JACKY MAUGHANComposerLyricist
PEERMUSIC (UK) LTD. OriginalPublisherIPI: 00162536085
AVTR MANAGEMENT & PUB LIMITED OriginalPublisherIPI: 00718098031
BLACK ROCK OriginalPublisherIPI: 00711511689
RICCARDO AMATUCCIComposerLyricist
BLACK ROCK OriginalPublisherIPI: 00711511689

Who publishes this song?

PEERMUSIC (UK) LTD.OriginalPublisher
IPI: 00162536085
AVTR MANAGEMENT & PUB LIMITEDOriginalPublisher
IPI: 00718098031
BLACK ROCKOriginalPublisher
IPI: 00711511689

MLC Song Code

TD0IJQ
Verify on MLC Portal →
SourcesMLC

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People also ask

What is the ISRC for "TRASH TALK"?
The ISRC for "TRASH TALK" is GBHAD1901807.
Who wrote "TRASH TALK"?
"TRASH TALK" was written by JACKY MAUGHAN, RICCARDO AMATUCCI.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBHAD1901807?

GBHAD1901807 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "TRASH TALK". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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