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Salute (TroyBoi remix) album cover

ISRC

GBHMU1400036

Salute (TroyBoi remix)2

Song: SALUTE

Little Mix
matched
Released 2014-03-28

Last verified:

GBHMU1400036 is the International Standard Recording Code (ISRC) for the recording “Salute (TroyBoi remix)” by Little Mix, released 2014-03-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MAEGAN SEVERIA COTTONE, PERRIE LOUISE EDWARDS, LEIGH ANNE PINNOCK, and others.

Format

GBCountry
HMURegistrant
14Year (2014)
00036Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSalute (TroyBoi remix)
IPIMAEGAN SEVERIA COTTONE

People also ask

What is the ISRC for "Salute (TroyBoi remix)" by Little Mix?
The ISRC for "Salute (TroyBoi remix)" by Little Mix is GBHMU1400036.
Who wrote "Salute (TroyBoi remix)"?
"Salute (TroyBoi remix)" was written by MAEGAN SEVERIA COTTONE, PERRIE LOUISE EDWARDS, LEIGH ANNE PINNOCK, JADE AMELIA THIRLWALL, BENJAMIN ALEXANDER KOHN, SAMUEL BARNES, JESSICA LOUISE NELSON, PETER NORMAN CULLEN KELLEHER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBHMU1400036?

GBHMU1400036 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Salute (TroyBoi remix)” by Little Mix. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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