ISRC

GBKPL1521908

DOUBLE YOUR HUSTLE

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GBKPL1521908 is the International Standard Recording Code (ISRC) for the recording “DOUBLE YOUR HUSTLE. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by OREZI ESEGINE.

Format

GBCountry
KPLRegistrant
15Year (2015)
21908Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

OREZI ESEGINEComposerLyricist
SHEER PUB (PTY) LTD OriginalPublisher0.00%IPI: 00270202118
DOWNTOWN DLJ SONGS LLC SubPublisher15.00%IPI: 00647171538
SUPER 5 PRODUCTIONS PTY LTD OriginalPublisher0.00%IPI: 00785954574
DOWNTOWN DLJ SONGS LLC SubPublisher15.00%IPI: 00647171538

Who publishes this song?

SHEER PUB (PTY) LTDOriginalPublisher
IPI: 00270202118
DOWNTOWN DLJ SONGS LLCSubPublisher
IPI: 00647171538
SUPER 5 PRODUCTIONS PTY LTDOriginalPublisher
IPI: 00785954574

MLC Song Code

SourcesMLC

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People also ask

What is the ISRC for "DOUBLE YOUR HUSTLE"?
The ISRC for "DOUBLE YOUR HUSTLE" is GBKPL1521908.
Who wrote "DOUBLE YOUR HUSTLE"?
"DOUBLE YOUR HUSTLE" was written by OREZI ESEGINE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBKPL1521908?

GBKPL1521908 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “DOUBLE YOUR HUSTLE. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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