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Charleville 9200, Pt. II album cover

ISRC

GBKPL1959401

Charleville 9200, Pt. II2

Song: CHARLEVILLE 9200 PT II

Snoh Aalegra
unmatchedNot yet matched in the MLC database
Released 2019-08-16

Last verified:

GBKPL1959401 is the International Standard Recording Code (ISRC) for the recording "Charleville 9200, Pt. II" by Snoh Aalegra, released 2019-08-16. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by STEVE WYREMAN, SNOH SHERI NOWROZI, ERNEST DION WILSON, and others.

Format

GBCountry
KPLRegistrant
19Year (2019)
59401Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCCharleville 9200, Pt. II
IPISTEVE WYREMAN

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Songwriter profiles

STEVE WYREMANIPISNOH SHERI NOWROZIIPIERNEST DION WILSONIPI

People also ask

What is the ISRC for "Charleville 9200, Pt. II" by Snoh Aalegra?
The ISRC for "Charleville 9200, Pt. II" by Snoh Aalegra is GBKPL1959401.
Who wrote "Charleville 9200, Pt. II"?
"Charleville 9200, Pt. II" was written by STEVE WYREMAN, SNOH SHERI NOWROZI, ERNEST DION WILSON, MARCUS SEMAJ.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBKPL1959401?

GBKPL1959401 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Charleville 9200, Pt. II" by Snoh Aalegra. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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