One More Day (Abbott & Chambers dub mix) album cover

ISRC

GBKQU1011626

One More Day (Abbott & Chambers dub mix)2

Song: ONE MORE DAY

TritonalSoto
unmatchedNot yet matched in the MLC database
Released 2010-02-22

Last verified:

GBKQU1011626 is the International Standard Recording Code (ISRC) for the recording “One More Day (Abbott & Chambers dub mix) by Tritonal, Soto, released 2010-02-22. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CRISTINA SOTO, DAVID ANTHONY REED, CHAD HENRY CISNEROS.

Format

GBCountry
KQURegistrant
10Year (2010)
11626Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCOne More Day (Abbott & Chambers dub mix)

People also ask

What is the ISRC for "One More Day (Abbott & Chambers dub mix)" by Tritonal?
The ISRC for "One More Day (Abbott & Chambers dub mix)" by Tritonal, Soto is GBKQU1011626.
Who wrote "One More Day (Abbott & Chambers dub mix)"?
"One More Day (Abbott & Chambers dub mix)" was written by CRISTINA SOTO, DAVID ANTHONY REED, CHAD HENRY CISNEROS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBKQU1011626?

GBKQU1011626 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “One More Day (Abbott & Chambers dub mix) by Tritonal, Soto. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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