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DEATH OF ME (FERRY TAYLE REMIX) album cover

ISRC

GBKQU1203163

DEATH OF ME (FERRY TAYLE REMIX)2

Song: DEATH OF ME (ALBUM MIX)

TANIA ZYGARESTIVA
matched
Released 2012-07-23

Last verified:

GBKQU1203163 is the International Standard Recording Code (ISRC) for the recording “DEATH OF ME (FERRY TAYLE REMIX)” by TANIA ZYGAR, ESTIVA, released 2012-07-23. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by TANIA ZYGAR, STEVEN BAAN, MATTHEW LANGE.

Format

GBCountry
KQURegistrant
12Year (2012)
03163Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCDEATH OF ME (FERRY TAYLE REMIX)
IPITANIA ZYGAR

Related

Songwriter profiles

TANIA ZYGARIPISTEVEN BAANIPI

People also ask

What is the ISRC for "DEATH OF ME (FERRY TAYLE REMIX)" by TANIA ZYGAR?
The ISRC for "DEATH OF ME (FERRY TAYLE REMIX)" by TANIA ZYGAR, ESTIVA is GBKQU1203163.
Who wrote "DEATH OF ME (FERRY TAYLE REMIX)"?
"DEATH OF ME (FERRY TAYLE REMIX)" was written by TANIA ZYGAR, STEVEN BAAN, MATTHEW LANGE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBKQU1203163?

GBKQU1203163 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “DEATH OF ME (FERRY TAYLE REMIX)” by TANIA ZYGAR, ESTIVA. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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