Piercing Quiet (Super8 & Tab remix) album cover

ISRC

GBKQU1208134

Piercing Quiet (Super8 & Tab remix)2

Song: PIERCING QUIET

TritonalCristina Soto
unmatchedNot yet matched in the MLC database
Released 2012-01-01

Last verified:

GBKQU1208134 is the International Standard Recording Code (ISRC) for the recording “Piercing Quiet (Super8 & Tab remix) by Tritonal, Cristina Soto, released 2012-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CRISTINA SOTO, DAVID ANTHONY REED, CHAD HENRY CISNEROS.

Format

GBCountry
KQURegistrant
12Year (2012)
08134Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCPiercing Quiet (Super8 & Tab remix)

People also ask

What is the ISRC for "Piercing Quiet (Super8 & Tab remix)" by Tritonal?
The ISRC for "Piercing Quiet (Super8 & Tab remix)" by Tritonal, Cristina Soto is GBKQU1208134.
Who wrote "Piercing Quiet (Super8 & Tab remix)"?
"Piercing Quiet (Super8 & Tab remix)" was written by CRISTINA SOTO, DAVID ANTHONY REED, CHAD HENRY CISNEROS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBKQU1208134?

GBKQU1208134 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Piercing Quiet (Super8 & Tab remix) by Tritonal, Cristina Soto. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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