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Bullet That Saved Me (festival mix) album cover

ISRC

GBKQU1365871

Bullet That Saved Me (festival mix)2

Song: BULLET THAT SAVED ME

Tritonal
unmatchedNot yet matched in the MLC database
Released 2013-03-11

Last verified:

GBKQU1365871 is the International Standard Recording Code (ISRC) for the recording “Bullet That Saved Me (festival mix)” by Tritonal, released 2013-03-11. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MARK DAVID UNDERDOWN, DAVID ANTHONY REED, CHAD HENRY CISNEROS.

Format

GBCountry
KQURegistrant
13Year (2013)
65871Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCBullet That Saved Me (festival mix)
IPIMARK DAVID UNDERDOWN

People also ask

What is the ISRC for "Bullet That Saved Me (festival mix)" by Tritonal?
The ISRC for "Bullet That Saved Me (festival mix)" by Tritonal is GBKQU1365871.
Who wrote "Bullet That Saved Me (festival mix)"?
"Bullet That Saved Me (festival mix)" was written by MARK DAVID UNDERDOWN, DAVID ANTHONY REED, CHAD HENRY CISNEROS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBKQU1365871?

GBKQU1365871 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Bullet That Saved Me (festival mix)” by Tritonal. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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