Wrong to Let You Go (VAANCE remix) album cover

ISRC

GBKQU2096722

Wrong to Let You Go (VAANCE remix)

Song: WRONG TO LET YOU GO

Man CubAPEKApril Bender
unmatchedNot yet matched in the MLC database
Released 2020-11-20

Last verified:

GBKQU2096722 is the International Standard Recording Code (ISRC) for the recording “Wrong to Let You Go (VAANCE remix) by Man Cub, APEK, April Bender, released 2020-11-20. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOSHUA PHILIP GILBERT, ALEC PATRICK BERVE.

Format

GBCountry
KQURegistrant
20Year (2020)
96722Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCWrong to Let You Go (VAANCE remix)

People also ask

What is the ISRC for "Wrong to Let You Go (VAANCE remix)" by Man Cub?
The ISRC for "Wrong to Let You Go (VAANCE remix)" by Man Cub, APEK, April Bender is GBKQU2096722.
Who wrote "Wrong to Let You Go (VAANCE remix)"?
"Wrong to Let You Go (VAANCE remix)" was written by JOSHUA PHILIP GILBERT, ALEC PATRICK BERVE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBKQU2096722?

GBKQU2096722 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Wrong to Let You Go (VAANCE remix) by Man Cub, APEK, April Bender. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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