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ISRC

GBLCJ0500096

MY EYES ARE OPEN, BUT THERE AIN'T NOBODY HOME

Song: MY EYES ARE OPEN BUT THERE AINT NOBODY HOME

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GBLCJ0500096 is the International Standard Recording Code (ISRC) for the recording “MY EYES ARE OPEN, BUT THERE AIN'T NOBODY HOME”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by GLEN TROUTMAN.

Format

GBCountry
LCJRegistrant
05Year (2005)
00096Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

GLEN TROUTMANComposerLyricist
RIDGETOP MUSIC OriginalPublisherIPI: 00047061004
MECHANICAL COPYRIGHT PROTECTION SOCIETY LTD OriginalPublisher

Who publishes this song?

RIDGETOP MUSICOriginalPublisher
IPI: 00047061004
MECHANICAL COPYRIGHT PROTECTION SOCIETY LTDOriginalPublisher
SourcesMLC

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People also ask

What is the ISRC for "MY EYES ARE OPEN, BUT THERE AIN'T NOBODY HOME"?
The ISRC for "MY EYES ARE OPEN, BUT THERE AIN'T NOBODY HOME" is GBLCJ0500096.
Who wrote "MY EYES ARE OPEN, BUT THERE AIN'T NOBODY HOME"?
"MY EYES ARE OPEN, BUT THERE AIN'T NOBODY HOME" was written by GLEN TROUTMAN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBLCJ0500096?

GBLCJ0500096 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “MY EYES ARE OPEN, BUT THERE AIN'T NOBODY HOME”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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