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ISRC

GBLGL1269414

Concerto for Flute & Orchestra no. 2 in D, K. 314: II. Andante ma non troppo

Song: Concerto for Flute no. 2 in D major, K. 285d/314: II. Adagio ma non troppo

Giampaolo PrettoEuropean Community Chamber OrchestraEivind Aadland

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GBLGL1269414 is the International Standard Recording Code (ISRC) for the recording “Concerto for Flute & Orchestra no. 2 in D, K. 314: II. Andante ma non troppo” by Giampaolo Pretto, European Community Chamber Orchestra, Eivind Aadland. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
LGLRegistrant
12Year (2012)
69414Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Concerto for Flute & Orchestra no. 2 in D, K. 314: II. Andante ma non troppo" by Giampaolo Pretto?
The ISRC for "Concerto for Flute & Orchestra no. 2 in D, K. 314: II. Andante ma non troppo" by Giampaolo Pretto, European Community Chamber Orchestra, Eivind Aadland is GBLGL1269414.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBLGL1269414?

GBLGL1269414 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Concerto for Flute & Orchestra no. 2 in D, K. 314: II. Andante ma non troppo” by Giampaolo Pretto, European Community Chamber Orchestra, Eivind Aadland. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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