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Two Interludes from Khovantchina: II. Galitsin’s Journey - Entr’acte to Act IV album cover

ISRC

GBLLH1901178

Two Interludes from Khovantchina: II. Galitsin’s Journey - Entr’acte to Act IV

Song: Khovanshchina: Act IV. Intermezzo

Philharmonia OrchestraGeoffrey Simon
Released 1992-01-01

Last verified:

GBLLH1901178 is the International Standard Recording Code (ISRC) for the recording "Two Interludes from Khovantchina: II. Galitsin’s Journey - Entr’acte to Act IV" by Philharmonia Orchestra, Geoffrey Simon, released 1992-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
LLHRegistrant
19Year (2019)
01178Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Two Interludes from Khovantchina: II. Galitsin’s Journey - Entr’acte to Act IV" by Philharmonia Orchestra?
The ISRC for "Two Interludes from Khovantchina: II. Galitsin’s Journey - Entr’acte to Act IV" by Philharmonia Orchestra, Geoffrey Simon is GBLLH1901178.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBLLH1901178?

GBLLH1901178 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Two Interludes from Khovantchina: II. Galitsin’s Journey - Entr’acte to Act IV" by Philharmonia Orchestra, Geoffrey Simon. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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