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Missa sopra Ecco Sì Beato Giorno: Benedictus album cover

ISRC

GBLLH1956009

Missa sopra Ecco Sì Beato Giorno: Benedictus2

Song: BENEDICTUS FROM MISSA SOPRA ECCO SÌ BEATO GIORNO

Alessandro StriggioAdrian FranceChristopher MonksGeoffrey Webber
unmatchedNot yet matched in the MLC database
Released 2019-05-24

Last verified:

GBLLH1956009 is the International Standard Recording Code (ISRC) for the recording “Missa sopra Ecco Sì Beato Giorno: Benedictus” by Alessandro Striggio, Adrian France, Christopher Monks, Geoffrey Webber, released 2019-05-24. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
LLHRegistrant
19Year (2019)
56009Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Missa sopra Ecco Sì Beato Giorno: Benedictus" by Alessandro Striggio?
The ISRC for "Missa sopra Ecco Sì Beato Giorno: Benedictus" by Alessandro Striggio, Adrian France, Christopher Monks, Geoffrey Webber is GBLLH1956009.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBLLH1956009?

GBLLH1956009 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Missa sopra Ecco Sì Beato Giorno: Benedictus” by Alessandro Striggio, Adrian France, Christopher Monks, Geoffrey Webber. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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