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Upon my Lap, my Sovereign Sits album cover

ISRC

GBLLH2168011

Upon my Lap, my Sovereign Sits2

Song: UPON MY LAP MY SOVERAIGNE SITS

Helen CharlstonAmy LyddonMalachy FrameEdmund SaddingtonFretwork
unmatchedNot yet matched in the MLC database
Released 2021-10-22

Last verified:

GBLLH2168011 is the International Standard Recording Code (ISRC) for the recording "Upon my Lap, my Sovereign Sits" by Helen Charlston, Amy Lyddon, Malachy Frame, Edmund Saddington, Fretwork, released 2021-10-22. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
LLHRegistrant
21Year (2021)
68011Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Upon my Lap, my Sovereign Sits" by Helen Charlston?
The ISRC for "Upon my Lap, my Sovereign Sits" by Helen Charlston, Amy Lyddon, Malachy Frame, Edmund Saddington, Fretwork is GBLLH2168011.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBLLH2168011?

GBLLH2168011 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Upon my Lap, my Sovereign Sits" by Helen Charlston, Amy Lyddon, Malachy Frame, Edmund Saddington, Fretwork. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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