ISRC

GBLLT2217329

SON OF A GUN (JANET JACKSON KARAOKE TRIBUTE)

Song: SON OF A GUN (REMIX)

DOUBLE PENETRATION
matched

Last verified:

GBLLT2217329 is the International Standard Recording Code (ISRC) for the recording "SON OF A GUN (JANET JACKSON KARAOKE TRIBUTE)" by DOUBLE PENETRATION. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MELISSA A ELLIOTT, SEAN PUFFY COMBS, NISAN STEWART, and others.

Format

GBCountry
LLTRegistrant
22Year (2022)
17329Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSON OF A GUN (JANET JACKSON KARAOKE TRIBUTE)

People also ask

What is the ISRC for "SON OF A GUN (JANET JACKSON KARAOKE TRIBUTE)" by DOUBLE PENETRATION?
The ISRC for "SON OF A GUN (JANET JACKSON KARAOKE TRIBUTE)" by DOUBLE PENETRATION is GBLLT2217329.
Who wrote "SON OF A GUN (JANET JACKSON KARAOKE TRIBUTE)"?
"SON OF A GUN (JANET JACKSON KARAOKE TRIBUTE)" was written by MELISSA A ELLIOTT, SEAN PUFFY COMBS, NISAN STEWART, JANET JACKSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBLLT2217329?

GBLLT2217329 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "SON OF A GUN (JANET JACKSON KARAOKE TRIBUTE)" by DOUBLE PENETRATION. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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