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ISRC

GBLPF0273557

AIN'T GOIN' DOWN TO THE WELL NO MO' / GO DOWN OLD HANNAH

Song: AIN'T GOIN' DOWN TO DE WELL NO MO'

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GBLPF0273557 is the International Standard Recording Code (ISRC) for the recording "AIN'T GOIN' DOWN TO THE WELL NO MO' / GO DOWN OLD HANNAH". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ALAN LOMAX, JOHN A. SR. LOMAX, HUDDIE LEDBETTER.

Format

GBCountry
LPFRegistrant
02Year (2002)
73557Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2002):
Last two digits of the reference year (2002). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCAIN'T GOIN' DOWN TO THE WELL NO MO' / GO DOWN OLD HANNAH
IPIALAN LOMAX

Related

Songwriter profiles

ALAN LOMAXIPIJOHN A. SR. LOMAXIPIHUDDIE LEDBETTERIPI

People also ask

What is the ISRC for "AIN'T GOIN' DOWN TO THE WELL NO MO' / GO DOWN OLD HANNAH"?
The ISRC for "AIN'T GOIN' DOWN TO THE WELL NO MO' / GO DOWN OLD HANNAH" is GBLPF0273557.
Who wrote "AIN'T GOIN' DOWN TO THE WELL NO MO' / GO DOWN OLD HANNAH"?
"AIN'T GOIN' DOWN TO THE WELL NO MO' / GO DOWN OLD HANNAH" was written by ALAN LOMAX, JOHN A. SR. LOMAX, HUDDIE LEDBETTER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBLPF0273557?

GBLPF0273557 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "AIN'T GOIN' DOWN TO THE WELL NO MO' / GO DOWN OLD HANNAH". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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