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Piano Concerto no. 2 in B minor, op. 42: II. Adagio, poco rubato album cover

ISRC

GBLWD0412609

Piano Concerto no. 2 in B minor, op. 42: II. Adagio, poco rubato

Song: Piano Concerto no. 2 in B minor, op. 42: II. Adagio, poco rubato —

Howard ShelleyBBC PhilharmonicMatthias Bamert
Released 2004-09-01

Last verified:

GBLWD0412609 is the International Standard Recording Code (ISRC) for the recording “Piano Concerto no. 2 in B minor, op. 42: II. Adagio, poco rubato” by Howard Shelley, BBC Philharmonic, Matthias Bamert, released 2004-09-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
LWDRegistrant
04Year (2004)
12609Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2004):
Last two digits of the reference year (2004). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Piano Concerto no. 2 in B minor, op. 42: II. Adagio, poco rubato" by Howard Shelley?
The ISRC for "Piano Concerto no. 2 in B minor, op. 42: II. Adagio, poco rubato" by Howard Shelley, BBC Philharmonic, Matthias Bamert is GBLWD0412609.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBLWD0412609?

GBLWD0412609 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Piano Concerto no. 2 in B minor, op. 42: II. Adagio, poco rubato” by Howard Shelley, BBC Philharmonic, Matthias Bamert. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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