ISRC

GBLWD0704209

Clarinet Quintet in B-flat major, op. 34 (J 182): II. Fantasia. Adagio ma non troppo

Song: Quintett für Klarinette, zwei Violinen, Viola und Violoncello in B-Dur, op. 34: II. Fantasia. Adagio ma non troppo

Janet HiltonLindsay String Quartet
Released 2007-01-01

Last verified:

GBLWD0704209 is the International Standard Recording Code (ISRC) for the recording "Clarinet Quintet in B-flat major, op. 34 (J 182): II. Fantasia. Adagio ma non troppo" by Janet Hilton, Lindsay String Quartet, released 2007-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
LWDRegistrant
07Year (2007)
04209Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2007):
Last two digits of the reference year (2007). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Clarinet Quintet in B-flat major, op. 34 (J 182): II. Fantasia. Adagio ma non troppo" by Janet Hilton?
The ISRC for "Clarinet Quintet in B-flat major, op. 34 (J 182): II. Fantasia. Adagio ma non troppo" by Janet Hilton, Lindsay String Quartet is GBLWD0704209.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBLWD0704209?

GBLWD0704209 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Clarinet Quintet in B-flat major, op. 34 (J 182): II. Fantasia. Adagio ma non troppo" by Janet Hilton, Lindsay String Quartet. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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