ISRC
Salome, op. 54, TrV 215, Scene 1: Nach mir wird Einer kommen (Jochanaan, Soldiers, A Cappadocian, Page)
Song: Salome: Erste Szene. "Nach mir wird Einer kommen" (Jochanaan, Zweiter Soldat, Erster Soldat, Kappadozier, Narraboth, Page)
Last verified:
GBLWD2503202 is the International Standard Recording Code (ISRC) for the recording “Salome, op. 54, TrV 215, Scene 1: Nach mir wird Einer kommen (Jochanaan, Soldiers, A Cappadocian, Page)” by Johan Reuter, James Platt, Igor Bakan, James Berry, Hanna Hipp, Bergen Philharmonic Orchestra, Edward Gardner, released 2025-05-02. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
Credits Graph
Want songwriter and ownership data?
This recording is not yet in the Notes database. Notes-enhanced ISRCs include ownership data, songwriter credits, and publisher chains.
GBLWD2503202 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Salome, op. 54, TrV 215, Scene 1: Nach mir wird Einer kommen (Jochanaan, Soldiers, A Cappadocian, Page)” by Johan Reuter, James Platt, Igor Bakan, James Berry, Hanna Hipp, Bergen Philharmonic Orchestra, Edward Gardner. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
Learn more about ISRCs · Powered by Notes.fm
Bergen Philharmonic Orchestra, Neeme Järvi
GBLWD1207713Bergen Philharmonic Orchestra, Neeme Järvi
GBLWD1207702Bergen Philharmonic Orchestra, Neeme Järvi
GBLWD1207703GBLWD2503202 is the International Standard Recording Code (ISRC) for the recording “Salome, op. 54, TrV 215, Scene 1: Nach mir wird Einer kommen (Jochanaan, Soldiers, A Cappadocian, Page)” by Johan Reuter, James Platt, Igor Bakan, James Berry, Hanna Hipp, Bergen Philharmonic Orchestra, Edward Gardner, released 2025-05-02. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
